Jonny Weeks, picture editor for Orlando Books, turned the World Cup into a laboratory, using a digital flat‑bed scanner and an old slitted‑film method to capture and distort the tournament’s moments.
Although he never attended a match, Weeks demonstrates that experimental photography—like the laborious slitting technique that records time through a narrow aperture—can still deliver striking visuals, proving you don’t need to be pitchside to create compelling World Cup imagery. fishroad-app.com
